English

Shapeshifting texts and other publishing tactics

How to maneuver

Ali Hussein Al-Adawy

Moad Musbahi

Farah Khelil

Jana Traboulsi

Haytham El-Wardany

Elaine W. HO.

Yazan Ashqar

Hussein Nassereddine

 Bernhard Cella

Fehras Publishing Practices

Hala Bizri 

Rand Abdul Jabbar

Ali Yass

Raafat Majzoub

Federico Antonini

Ali Eyal

 Giulia Crispiani

Jabbour Douaihy

Faisal Al Hassan

Huda Smitshuijzen AbiFarès

antoine lefebvre editions

Hammad Nasar

Noopur Desai

Uns Kattan

Nujoom Alghanem

Andrew Murphie

Jaffat El Aqlam

Barakunan

Ahmad Makia

Khalid Albudoor

Bady Dalloul

Fiction

Poetry

Graphic Novels, Comic Books, Illustrated Books, and Manga

Biography or Memoir

Children's Book

Nonfiction

Palestine

Lebanon

Egypt

Syria

Iraq

Morocco

Saudi Arabia

Tunisia

Algeria

Türkiye

Iran

Jordan

Sudan

Yemen

Libya

United Arab Emirates

Kuwait

Oman

Bahrain

Art and Art History

Gastronomy

Feminism and Gender

Architecture and Urbanism

Philosophy

Anthropology and Society

Politics

Journalism and Media Studies

Psychology

Environment, Health, and Science

Literary Theory and Criticism

Religion and Spirituality

Business and Finance

Music

Political, Cultural, and Social History

Artist and curator Moad Musbahi’s work investigates migration as a method for cultural production and political expression, focusing on the social practices and forms of knowledge that it engenders.He curated In Pursuit of Images, Architectural Association School of Architecture, London (2020), an exhibition on the racial regimes of documentary film practice in relation to the work of Harun Farocki, and he was a member of the curatorial team for Rights of Future Generations, the inaugural edition of the Sharjah Architecture Triennial (2019). He co-organised ‘Instituting Destruction’, a project that brought together a group of architects, photographers and archivists, forming an association to document the destruction of community spaces and tombs in Tripoli, Janzour and Tajoura (2015–2018).Musbahi presented Ikhtiyār and the production of (in)visibility, a lecture performance with Enass Khansa at the Publishing Maneuvers Symposium Public Sessions, Warehouse421, Abu Dhabi (2020), and Sufi Tombs and Sea Burials, Performing Preservation, a lecture performance at Jameel Art Center, Dubai (2020). His work has also been featured in exhibitions such as How to Disappear, Beirut Art Center (2019), and Architecture of the Territory, Beit Beirut (2019). Recent publications include Paper Nor Me_xx2: Beyond the Paper Principle (Kayfa ta, 2020); ‘Asl (Origin)’ in AA Files 76 (2019); ‘face me I face you’ in NOIT — 5: bodies as in buildings (Flat Time House, 2019); and ‘The Sahara Is not a Desert: Re-Mapping Libya, Unravelling the State’ in The Funambulist 18 Cartography &amp; Power (2018).Musbahi currently works on collective projects through MorningIndustries.org. He previously worked as a visiting lecturer at the Royal College of Art, London (2018–2020); an assistant archivist at the Computer Arts Society, London, supported by the Paul Mellon Centre (2013–2015); and a translator for the Tunisian Red Crescent and UNHCR in Tunisia and Libya (2011). He participated in the Library on Fire residency, LUMA Foundation, Arles, France (2016), and The Supreme Achievement, CAMPO Space &amp; Black Square Press, Rome (2015).

Books by Moad Musbahi

Moad Musbahi has 1 distinct books on kotobli

Back to Moad Musbahi page

context, diversity, and your next great read